The Social TV Revolution: Notes from the Convergence Conversation #socialtvrevolution
Yesterday, on the 25th of August, we held our monthly Convergence Conversation event at Intellect. After 90 minutes of full on and intense discussion, there were far too many interesting insights to capture or even to do justice to all. Here then is my attempt to draw out the key themes of this discussion.
Is there really a revolution?
Anthony Rose’s new company Zeebox wants to re-architect the entire experience of Television. At the heart of this is giving consumers the choice that traditional Broadcasters and EPGs just don’t. Zeebox will be a transformative user experience which will also seek to integrate social behaviours and multi-tasking into the TV experience. Edd Uzzell from Sony suggested that Sony are also looking at redesigning their TVs from the ground up, keeping in mind connectivity, operating system and app environments. Facebook is streaming FA Cup games live. Google have announced a UK launch for their version of TV. It’s fair to say that there is indeed a revolution on.
But Will it all happen on the TV Screen?
It is indeed true that many experts are envisioning a future where apps drive a significant part of the TV experience, or where the TV show incorporates Twitter feeds and Facebook features (such as “like”). But there is an equally strident voice cautioning against detracting from the “Television” experience. For both sets of people, the second screen is clearly a key component. This could be a smart phone or a tablet. Most of us know this already. And many of us (myself included) no longer like to watch TV without a second screen at hand. For me this is often just a hedge, since the majority of TV programs don’t really engage me 100%. But sometimes, especially during football matches, I might be talking to people in my special-interest football group. This group has people from across the world who mostly know each other, and during the second leg of the recent Spanish Super Copa game between Barcelona and Real Madrid, my friend Bobby and I exchanged over 50 messages via our Facebook group. And I’m sure everyone has seen this twitter timeline from the New York Times.
What is fascinating though is the possible coupling of devices, so that the TV & second screen “know” what’s going on with each other and can react to this. The tablet or laptop could be communicating directly with the TV (rather than over the cloud/ via Sky’s servers) and this direct coupling could be used to drive a lot of interesting user experiences on either screen. Especially interesting to advertising and commercials, many of whom are currently struggling to get their heads around social TV, having wandered in the wilderness for many years in the social networking world. For device makers like Sony, who have TVs, tablets and mobile phones, this opens up a whole new way of thinking.
There was near unanimous agreement that the second screen is a game changer and Fintan, who argued the other way found himself defending the single-screen experience like Horatio on the bridge, but with less spectacular results.
Richard Kastelein pointed to the 4 C’s (content, community, context & commerce) and context was picked up as probably the most crucial element of social TV. And the second screen might be well placed to deliver context.
But Do We Need To Rethink TV Itself?
What is Television? Is it a device? A broadcast mechanism? A type of content? A schedule? A viewing experience? In fact, TV is a very loaded word which probably implies all of the above. And a number of recent technological changes have led to the questioning of each of these. The TV is in a sense just a shared screen at home. It can as well be a monitor for the gaming system, or a large digital picture frame, or a blu-ray movie screen or a screen for viewing broadcast content. I know that in our home, we’d love to have the family calendar available on the TV screen so we can take a quick look at social commitments, travel dates, and all kinds of other reminders that have to be written down and maintained elsewhere (dates for renewals of parking permits, and doctor’s appointments, for example).
But in the more narrow definition of TV, which is simply a broadcast content screen, there is a sea change. It’s not just about peripheral additions such as adding a “like” button onto a TV program, running a twitter feed at the bottom or allowing people to “check in” to shows. (“Check in is not the answer”). No, it’s much more fundamental – it’s a rethinking of content and storytelling, to incorporate the social networking implications. The game-shows and voting programs seem like killer apps today, but can probably be defined as Social TV 1.0. Many more ways of inserting oneself into the show, and as Mark Grundland put it, “to put the consumer at the centre of the show” – will emerge. And the influence of the social networking phenomena on storytelling itself will be immense. Jed Daly (the LA Guy!) told me about a game show in the US where while one contestant was facing the cameras, the audience were tweeting and communicating with the other contestants, backstage. This takes us to a point where social media is not just playing second fiddle to the main program, it’s a strand of programming in its own right. We are not far from the days when the social network will be the program. This is not a dystopian view of watching people on social networks a la big brother, but some very clever and creative way in which social network is integrated and centre-stage in the program concept. Plenty of examples exist where the cross over between the real and fictional for social media and TV has yielded interesting results.
After all, TV has so far only had the capability to address the one need – that of leaning back and being entertained. Hence to argue that people only want to be entertained passively by TV is somewhat specious and circular. Other basic behaviours such as inquisitiveness, or engagement are equally valid, and might be displayed by some viewers all of the time or all users some of the time. TV now has the ability to address those behaviours as well. And in that, it has changed fundamentally as well.
Is All TV The Same, When It Comes To Social?
The time has come to stop using these broad brush strokes to make generalist comments about “TV Shows” as though the same rules apply across genres and categories of programming. Clearly the pulling power of sport, when it comes to social experiences is more than a documentary on the history channel. Or indeed, the willingness of a viewer to tweet or interact during a show will vary dramatically between watching a revolution unfold in Tahir square, versus watching a rerun of Singing in The Rain.
One of the parameters is the sheer size of audience and interest groups. Arguably, content that draws very large audiences is likely to engender much more social interest. Big news, unfolding major live events, popular sports, the big game shows and participation TV, the biggest soaps, all create interest groups of their own. Some are more tribal than others. Sport naturally creates tribes and very specific patterns of social behaviour, which will replicate itself on any forum it can find, be it a pub, a stadium or on Facebook. Hence the expected social patterns will vary by genre and type of program and experiences must be designed accordingly.
But Hasn’t TV Always Been Social?
This is the question that usually half way through a heated discussion on Social TV. Hasn’t Television always been a social event and so what’s new? Are we simply putting old wine in new bottles? The answer, apparently is yes and no! Yes TV has always been social and continues to be so. And a part of social TV is simply providing people the technological tools to do the same things differently and often faster. So rather than wait for the water cooler moment the next day at work, you can have your “oh my god, did you see that!” discussion just after or even during the show.
But what’s different is the selection and the shape of networks. The old social was limited to the living room, the office and social get togethers, very bounded by place and time. As recounted by many people in the discussion, even when the family gets together to watch the same program, very often some or all the members are also participating in their own social networks – across affinity groups, social groups and interest groups. This doesn’t preclude the family acting as another group, but it adds many dimensions to the “social” in social TV. TV is now differently social.
What Of The Masses?
A room full of broadcast and technology professionals does not social TV make. Ed suggested that there were significant gaps in the average consumers’ understanding of social TV or even many other concepts such as digital switchover. So the danger here is for the industry to rush on ahead and forget the users. Not a new pattern, lest we forget. But on the other hand, if sufficiently interesting, people will find a way to navigate even complex environments. Just look at Facebook or worse, Myspace.
Anthony broke up the classic technology adoption curve into simpler chunks. The creators, the blogosphere and the rest. The trick is to build something that sufficiently engages the blogosphere, so that subsequent following and uptake is assured, but not so advanced that it caters only to the blogosphere and to converts, and becomes a technological toy which the average user can neither navigate, nor enjoy. It remains to be seen how many providers can find that sweet spot.
Where’s The Value?
The money question is always a good way to bring the discussion to a focus. How can businesses make revenues from this?
Irwan Owen from Live Talk Back is trying to just this, by providing to broadcasters a platform which enables the 2nd screen participation, predominantly on mobile phones (where the IOS significantly outstrips android, according to Irwan and his data). Producers and broadcasters however, need to truly embrace social TV in a way that they probably have not yet done, in order to truly benefit from social TV.
A critical part of the value chain is content discovery of course, and here is where social TV plays a trump card. The EPG has been an anachronism for a while now and suffers from being driven by a number of interests most of which have little to do with improved user experience. The impact of social networks on the EPG will be seismic. The ability to select shows based on friends recommendations, or to see who is viewing what in real time will dramatically change how we select shows to watch. Needless to say this is a part of the Zee Box concept. TV Genius, who have recently been bought by Red Bee Media, have also integrated Facebook into their EPG & recommendations model.
There was also a perspective shared by a number of people, that the player who owns the interaction will corner disproportionate value in the marketplace. This could well be through gamification initiatives, or newer and emerging forms of interaction.
Winners and Losers?
On the one side you have incumbent broadcasters, platforms and production businesses all trying to get their heads around social media, but effectively just dipping their toes in, for the most part. On the other hand you have major players on the Internet – such as Facebook, Google, Amazon and Twitter, who are all reshaping the content value chain in different ways and arguably have the financial clout to launch a TV proposition. As we’ve heard Facebook has started streaming content in partnership with rights holders, Google has launched a TV framework and Amazon have bought Lovefilm. It would appear therefore that the Internet giants have jumped ahead in the race. However, this is just the start, and TV incumbents have plenty of time to embrace social media.
This is easier said than done, though. The changes can be very deep and difficult. They are not just technology details or adding features to websites. It’s rethinking the very essence of the content and the experience. It’s getting off the “how cool are we!” style of thinking that Jan Gilbert spoke about. It’s making the very brave move of handing choice back to the consumer – the choice of what to watch, how to watch and even whether to watch. It means understanding truly that the “meaning” of the social experience that TV used to represent may have changed. And that people will follow the new meaning, whether or not it involves a TV screen.
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Many thanks to Anthony Rose, Edd Uzzell, Richard Kastelein and Irwan Owen, for leading the discussion, to everybody in the audience for being there and so many cases contributing valuably and to Intellect for hosting the event.
